Trying to explain Dead White Zombies is no easy task: the local avant-garde theater troupe isn’t just avant-garde: they’re wild. They challenge everything you think you know about the arts.
—Dallas Observer
DP92
DP92
Post Disciplinary Experimental Site-Specific Meta Theatre Performance Installation Whatever
Dallas, TX
Since 2011
Big Bird
You’ve never experienced theater quite like the Dead White Zombies.
—D Magazine
Thomas Riccio, Poo Pah Doo
We are malcontent theatre, performance, visual, sound, and installation artists, ironic & fun-loving agent provocateurs in an age of intellectual and cultural leveling, conformity, franchise, and mass marketing to the lowest and most banal common denominator.
We simply do things the way we want to, where, and how, because we don’t know what else to do. We emphasize new, experimental, site-specific, collectively created performance work that defies categories and conventions.
We are Dead because we are White, pale reflections of what was once. We are Zombies because we are still walking around, empty, searching for meaning, thinking we are still alive.
Founders: Luke Lafitte, Lori McCarty, Brad Hennigan, & Thomas Riccio
The Dead White Zombies places the pedagogy of mythology and anthropology at the center of Dallas culture, blending the city's politics, pastimes, and social structures with the cosmology of classical paganism and a range of shamanistic traditions, both ancient and contemporary.
—Glasstire, Texas
T.N.B.
Like all DWZ performances, a concrete, visceral individual story is set in relief against a large, mythic canvas, where the boundaries between mythic and personal, reality and artifice, are permeable; where time is transcended; and where the distinction between spectator and performer blurs. This intersection of the particular and the mythic is central to DWZ and an evolution of my ritual and indigenous performance work as an artist and scholar. This deliberate theme/device/operative of blurring performance boundaries is central to DWZ's aesthetic and, I believe, to our moment in history.
—excerpt Theatre Forum article by Thomas Riccio
T.N.B.
in production, About Face
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Big Bird
DP92, in rehearsal