Trying to explain Dead White Zombies is no easy task: the local avant-garde theater troupe isn’t just avant-garde: they’re wild. They challenge everything you think you know about the arts. 

—Dallas Observer

 

DP92

DSC_1280.jpg

DP92

Post Disciplinary Experimental Site-Specific Meta Theatre Performance Installation Whatever

Dallas, TX

Since 2011

Big Bird

You’ve never experienced theater quite like the Dead White Zombies.

—D Magazine

 


Thomas Riccio, Poo Pah Doo

We are malcontent theatre, performance, visual, sound, and installation artists, ironic & fun-loving agent provocateurs in an age of intellectual and cultural leveling, conformity, franchise, and mass marketing to the lowest and most banal common denominator.

We simply do things the way we want to, where, and how, because we don’t know what else to do. We emphasize new, experimental, site-specific, collectively created performance work that defies categories and conventions.

We are Dead because we are White, pale reflections of what was once. We are Zombies because we are still walking around, empty, searching for meaning, thinking we are still alive.

Founders: Luke Lafitte, Lori McCarty, Brad Hennigan, & Thomas Riccio

 

The Dead White Zombies places the pedagogy of mythology and anthropology at the center of Dallas culture, blending the city's politics, pastimes, and social structures with the cosmology of classical paganism and a range of shamanistic traditions, both ancient and contemporary.

—Glasstire, Texas

 
 

T.N.B.

Like all DWZ performances, a concrete, visceral individual story is set in relief against a large, mythic canvas, where the boundaries between mythic and personal, reality and artifice, are permeable; where time is transcended; and where the distinction between spectator and performer blurs. This intersection of the particular and the mythic is central to DWZ and an evolution of my ritual and indigenous performance work as an artist and scholar. This deliberate theme/device/operative of blurring performance boundaries is central to DWZ's aesthetic and, I believe, to our moment in history.

—excerpt Theatre Forum article by Thomas Riccio

 
DSC_5580.jpg

T.N.B.

in production, About Face

IMGP8933.jpg

blahblah

 

Big Bird

12002336_10153521074772936_1803263275017049677_o.jpg

DP92, in rehearsal

Our Sponsors

University of Texas at Dallas